Elizabeth Harper

As the New Year approaches, Elizabeth Harper looks back at some of the year’s best sartorial moments

A fantastical Christmas wishlist full of historical, fictional and utterly covetable style pieces, by Elizabeth Harper

What are the signature styles that mark some leaders in business and fashion out from the rest? asks Elizabeth Harper

Elizabeth Harper takes style inspiration from some leftfield sartorial power players

Elizabeth Harper asks, 'What does it take for advertisers to produce a truly winning fashion Christmas campaign?'

Elizabeth Harper asks 'what kind of energy are we prioritising?' when the government is cutting subsidies for renewables and giving tax cuts to fossil fuel companies.

A complex and inspiring rebel to societal norms and conventions, in particular regarding womanhood, make Angelina Jolie so much more than a sartorial icon, writes Elizabeth Harper

In an industry that privileges youth and waifish proportions, there are some women who stand out from the crowd, writes Elizabeth Harper

Following his shock departure, Elizabeth Harper looks at some of the Moroccan- Israeli designer's best moments and the battle between creativity and commerce now taking place at Lanvin

Films documenting the fashion industry can entertain and help to change our perspectives, writes Elizabeth Harper

Elizabeth Harper analyses why the star of Nymphomanic appeals to the Italian label's brand aesthetic

Elizabeth Harper looks at key power players like Natalie Massenet, 'The Blogger', celebrities-turned-designers and heritage style

As glamcore emerges as the dominant trend of the season, Elizabeth Harper ask where does it come from and what does it look like?

Disney has announced a string of live-action remakes of its own animated films. With reference to Jacques Derrida and Theodor Adorno, Elizabeth Harper questions whether these will be progressive re-workings of old films or plain evidence of industrialised unoriginality

Elizabeth Harper analyses the discrepancy between the compassion and empathy afforded to Cecil the Lion and the 'migrants' in Calais